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    It is in this passage that James begins to unravel Isabel and hint at her true unhappiness. He indicates that Isabel wanted to 'play the part of a good wife'. With these words the reader becomes aware that Isabel is not truly capable of being Osmond's 'good wife', a formidable task for someone of Isabel's character.
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    In fact, unless you end the story with that event, you will subconsciously shift to a different point of view. This shift will pop up in the last chapters and/or the epilogue. Even if you maintain the main type of point of view (first or third person), the subtype can change.
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    The impetus for the camera's exploration of the space is often by moving along with the characters. This also makes certain scenes for visually dynamic, like when it travels back as Eugene and Isabel come forward onto the dance floor, then when they cross paths with Lucy and George the camera switches its trajectory to stay with the young couple, panning back from them once their conversation is over. Though in a narrative sense this scene is not realistic, the space not only feels real but because ...
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    So, what is the film's story? It turns out that someone is making threats against Lissa, hanging dead animals outside her dorm and writing threatening messages in blood on her bedroom wall. The list of suspects is high, and includes idiot bully Mia (Sami Gayle), Headmistress Kirova (Olga Kurylenko, who's apparently been instructed to play the character as though she had something devilish to hide), and creepy stalker Christian sac longchamp pas cher Ozera (Dominic Sherwood). A lot of sinister things ...
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    Posse's delirious scheme, Columbus has wild cravings for kinky sex, while the battles on the marriage bed between Fernando and Isabel find horrific duplication in the other, more terrestrial geography under their combined command. In a telling passage, Mr. Posse gives us the basic idea: ''The kingdom was consolidating, gradually.
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